Credit: Andrea Goh
Great teams don't happen by accident — someone has to know exactly who to call. In entertainment, the gap between good and great usually comes down to one hire.
I've sat in the room. Over a decade in the most demanding corners of visual craft got me there: I'm an award-winning CG Supervisor, an Oscar-winning Pixar TD on Coco, Soul, and Incredibles 2, an Emmy-nominated Director, and most recently led CG at Psyop. I know what great looks like, who's actually capable of it, and how to find them before everyone else does.
Now I bring that same eye to talent acquisition — helping entertainment and creative-tech companies find, vet, and close the artists, directors, and creative leads who actually move a project forward. Not a keyword search. An insider's read on who's good, who's ready, and who's worth the offer.
On the side, I do events and creative strategy for teams who want their big moments — launches, offsites, conferences — to land as well as their hires do.